Life as a Spectator Sport

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Friday, May 28, 2004

Music to my ears . . .

One bright spot in all the gloom, doom and overwork of the last few weeks is my grandson. Nick is your typical 13-year-old boy—mildly addicted to video games; loves sports, Harry Potter and bike-riding, in no particular order; eats anything that can't run faster than he can. Except he's not typical at all. Nick writes music.

A year ago, he was hardly even aware of music as anything more than something to listen to on the radio, and not terribly enthusiastic about that. But he always headed straight for the piano any time he visited me. Or my recorder, or the concertina or the Irish penny whistle. Shelley said he balked at being involved with the music program in school, so I didn't push. I just taught him a couple of tunes on the penny whistle and let him plonk away on the piano whenever he wanted. He couldn't carry a tune in a bucket, as the saying goes, though his pure boy-soprano voice of a couple of years ago was so beautiful it would bring tears to your eyes, off-key or not.

When I moved into Shelley's apartment last July, I couldn't bring the piano with me, and wasn't willing to do without some variety of musical instrument for a year. So I bought an electronic keyboard—nothing fancy, but not a toy either. And a switch came on in Nick's brain. He fiddled with the various settings, and listened to the built-in melodies, and one morning, he slowly began to play something I'd never heard before. He started and stopped, stumbled over the keys and tried again, backtracked and tried something different.

"What's that?" I asked, thinking he was trying to play something he'd heard.

"I made it up," he said, with absolute wonder in his voice. "I didn't know I could do that. I made up a song!"

That was ten months ago. Since then he has written many more simple little melodies, each fresh and new, each more complex in rhythm and construction than the last. He is still enormously naive, his music artless and unaffacted, but the fruit is plain to see in the still unopened bud of the flower. He "gets" it, in his genes.

The other day, he was humming something that sounded like a melody he'd written much earlier. He saw my glance and said, "That's sort of like this . . . " He sang the original, and I nodded. "But it's a—a variant, sort of," he said. "Like the other one, but a little different."

"That's called a variation," I told him, and played a bit of what I remembered of the Mozart variations on "Ah vous dirai-je maman" (otherwise known as Twinkle Twinkle Little Star). I could see the gears turning in his brain as I played several of the variations, and I'll bet it won't be long before Mozart's example turns up in some of Nick's work.

Yesterday we listened to a Hayden concerto for harpsichord, viola and strings on the radio in the car. "Oh man," he said with heart-wrenching wistfulness, when it finished, "I wish I could write something like that!" This is the boy who, a year ago, thumbed his nose at classical music, claiming it put him to sleep.

"You will," I promised him, believing it absolutely. "You're taking baby steps now. Look at how far you've gone in a year."

He wants me to take him to an opera, to replace my old dead flute so we can play things together, to teach him some more songs to sing (his young adult baritone is living up to the promise of its boyhood purity, and he seldom wanders off-key any more). Every day is an amazing new experience for both of us, and I think that if I never do anything else worthwhile with the rest of my life, turning this child on to music will have been enough.
posted by Liz @ 8:21 AM     |


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